Supermarket Sarah

Sarah Bagner founded Supermarket Sarah in 2009, the online boutique started off with humble beginnings - on a market stall in Portoblello. Sarah discovered a gap in the market for a curated online shopping experience. Her eclectic array of displays include a mix of makers from fashion to interior frippery. The walls reflect the creativity of the designers work and are an all round treasure trove! The Interiors Almanac recently joined Supermarket Sarah to set up a pop up market kiosk in East London, where Sarah sold works from designers Crispin Finn and Tom Pigeon which she elaborately displayed around a plethora of Pineapples!Here Supermarket Sarah talks about her beginnings and her collections.

Supermarket Sarah featuring Textile Designer Marie Molterer

How did Supermarket Sarah begin?

Supermarket Sarah is based around the idea of a real wall full of clickable items, each with a unique story. Users simply click and buy. I started creating the walls from my home living room, which then spread into bars, receptions, public spaces and Selfridges, London. 

At the time I was also doing Portobello Market selling vintage and I was interested in re-creating the feel of market shopping online, by bringing personality and stories into shopping. I felt the online world was rather dry and clinical and the fun was stripped from the experience. 

Are the walls curated by the chosen designers?

Initially I started creating the walls in my living room but then I started inviting designers that I admired to compose them using the same template and so the wall canvas has grown into a platform of walls. Each Designer creates their own wall. Of course, I still create the walls and choose the designers and  often work collaboratively with brands and celebrities on their walls as a consultant. 

Supermarket Sarah featuring Designer Russell Barratt of Random Bangle

It is interesting how you combine new and old pieces on the walls, which seem to tell a story of the designers own tastes and inspiration, is this an important aspect of Supermarket Sarah?

Yes definitely I like the mix, I think the walls represent feelings and people and its nice to show that, with an array of pieces which evoke different moods and stories. 

How do you decide upon the themes and select designers which are promoted on the Supermarket Sarah walls?

I look for people with passion, people who clearly seem to love what they do and their work really becomes them. My book is about walls with heart and this is very true also for the walls on the site. I don't dictate one aesthetic but celebrate personal style: whatever that maybe Its all about Loving your stuff!

Supermarket Sarah featuring Illustrator This Is Nick White & Pals

Which installations have you most enjoyed working on?

I loved creating Kirstie Allsopp's home wall with her, there's something lovely about a home wall and really trying to bring something new to a personality that many people have seen on TV. I really wanted to show Kirstie in a more eccentric light as she loves the weird and wonderful!

Do you collect anything in particular?

Lots! I have a button collection which is growing, a 1920's men with moustache collection which I like a lot and cats - of course!

Where did you travel during the making of your book Wonder Walls?

I went to Tokyo which was fantastic and Sweden and the UK.  

Which is your favourite entry and why?

Oh I couldn't say! What I love is that all the walls are so unique!

Happy Christmas

Sir John Soane's Museum by Candlelight

The intrigue that surrounds the home of Sir John Soane is founded upon the sprawling collection of curios which Soane arranged with his distinctive eye for display.

Experiencing this 19th century home by candlelight displays Soane's artfulness in design, the drawing room was modified by installing mirrored panels onto wooden doors and placing convex mirrors up high, in order to reflect the artificial light. He also built light-wells in the ceiling which flood the room by day with natural light. 

As a professor of architecture, Soane opened up the doors of his home to his students at the Royal Academy of Arts. The collection was amassed to illustrate the variety in architectural styles, in doing so, Soane created a mini tour of Europe. The architectural casts appear jewel like under the glow of candlelight, as they hang from Olive green walls. The casts were made from a variety of materials, which include plaster and stone.

On the first Tuesday of each month the museum invites the public to experience Sir John Soane's collection in candlelight, a free exhibition from 6 - 9, you may have to queue for over two hours, but its well worth the wait!

Friday Forage | Dedar

(Illustrations by Caroline Jenkinson, The Interiors Almanac)

Last week The Interiors Almanac was privy to view the exquisite fabric collection by the Italian fabric house Dedar, in Chelsea. The atelier is renowned for creativity and technical prowess, founded in 1976 by husband and wife Elda and Nicola Fabrizio, the company was passed down to their children Caterina and Raffaele, who have triumphed since the late nineties and continue to produce textiles that are firmly rooted in the Como region.

Each of the fabrics are woven in textile mills around the region of Como, interestingly, the design house works with a number of manufacturers in the area; a collaboration that marries the skills and knowledge of each mill to produce the most innovative woven fabrics.

 In addition to the many jacquards, prints and velvets for curtains and upholstery. This year, Dedar launched a collection of outdoor woven fabrics; a pioneering technique that uses traditional textile looms to create classic patterns such as Houndstooth and Tartans, previously unheard of for outdoors. Not only are the fabrics durable and water resistant, they are superbly soft to touch. 

Visit the Dedar showroom at Chelsea Harbour, to view the full collection... Pssst Hermes fabrics are on show there too! 

Nathalie Lete | Parisienne Studio

Naïve in form but carefully crafted, the work of Nathalie Lete is continuously imaginative. Her studio in Paris is a riot of colour and a beguiling mix of prints and collections. Yet each of Nathalie Lete's textiles, ceramics and furniture items would sit happily in any interior setting.

How do you begin a new project? Does each piece begin with a story?

My favorite day is when I can choose a theme, I do painting in the morning and make ceramics in the afternoon which I find is a good mix.

What is your favourite medium to work in?

I have no favourites; I like to do a bit of everything! I usually do more acrylic painting because it is the basis of my work, however, I like to work with painting, ceramics and embroidery.

What are the common themes within your work and why are you so drawn to them?

The common themes I choose are around vintage toys, flowers, insects, and animals of the forest, most recently I designed wallpaper full of fish and stones of the sea.

I have also worked on themes of anatomy, butchery, mountains, Little Red Riding Hood and other children's tales. I like to mix it altogether. I always return to these themes I made some years before, it is like a family I visit and revisit them from time to time.

It is interesting how you transform utility/ everyday items into something more magical and imaginative, was it a reaction to what was available on the market place?

I think it was firstly for myself to be surrounded within my own world, to feel like I created my own nest, which gives me the feeling of security. 

Then in truth I worked on these every day products because publishers (such as Anthropologie) asked me to print my images onto their products… It is how I make my money and give food to my family! What is magical is that my world can make other people happy, but that was not my goal at the beginning.

Your designs are often compared to Outsider Art, are there any particular artists work you admire?

I like Folk Art, Outsider Art and Arts & Craft. I am drawn to art and objects, which embody a sense of the hands and the heart worked by them. I don't know how to explain, but when creation is a necessity everyday.

I admire the work of Kiki Smith, Anette Messager, Picassiette, Facteur, Cheval & Bonnard, these artists gave me inspiration, but I have even more inspiration when I open a book of folk art or collection books on vintage toys. I also love books with engravings and coloured botanical illustrations or animals.

Do you have a favourite shop in Paris that you could recommend to our readers?

My favorite shop is Astier de Villatte store, 173 rue Saint Honoré, for what they sell of course (I am currently exhibiting there) but also for the atmosphere which is inside the building, the walls and the furniture are from the past and I love the past, that I never lived but that I can imagine by reading books. A place for imagination is the most important in life for me. 

On Photography | Thomas R. Mason Prospero's Kansas City

(Illustrations by Caroline Jenkinson, The Interiors Almanac)

The Interiors Almanac came across Thomas R. Mason’s photography through Instagram, immediately beguiled by the bold and beautiful 1950’s Neon signs that are ever present in his work. We asked Thomas to photograph one of his favourite stores in the Mid West, he promptly replied with photograph’s of Prospero’s, a book store in Kansas City, Missouri.

The store is evocative of Michel Gondry’s madcap video store in the film Be Kind Rewind, with reams of books and an abandoned type writer and telephone. 

Can you recollect the first time you picked up a camera and the first photograph you ever took?  

My first camera was probably a Kodak disposable 35mm, which I took pictures of toys and building blocks.  Although, my first real camera was a Olympus XB700 35mm that had a built in 70mm zoom.  My mom got it for me at a Kmart during a vacation in the Florida everglades in 2001 when I was 11 years old.  I was getting too close to the alligators in the swamp with the cheapie cameras.  The 70mm zoom was enough distance between me and them, so I could get some pictures and not scare the hell out of my parents.  

My first real picture was a wild alligator on the side of a road.  I should dig it out and scan it.

Are you a regular customer at Prospero's book shop?

I've been shopping there for about six years. I got to know everybody when they broke the world record for the longest consecutive poetry reading for 120 hours back in April 2010.  It's very much a neighborhood hangout, always characters in there, people playing chess, arguing about literature, movies, comics, and of course drinking cheap beer.

It's a very special place, It couldn't be manufactured, or transplanted.

How old is Prospero’s bookshop? 

They started in 1997 across the street and moved to the current location in 1999.  The building is from 1890 and used to be a hardware store, you can tell, there's a lot of relics still hanging around from that.   

Do you have a favorite section of the store?

Yeah, the front where they display all the recent arrival's, you never know what they're going to have. 

Do you prefer taking photographs at dusk?

It's the best time to take photos.  The so-called "Magic Hour" There's no harsh shadows or glare, but there's enough refracted sunlight to compete with all the artificial light.  So you can get cool city photos without the glare of street lights.  

You often feature Neon billboards in your work, why are you so drawn to them?

I like them because they are handmade works of art, that are not being made anymore.  There was a revival in the 1980s, where artists reexamined their worth.  But in modern post-recession America, not that many people have the money to upkeep them, (even though they are very energy efficient)  and generic corporate chains will never install new ones, they just print LED signs.

If you're traveling and see a cool neon sign, there's a good chance it's a Mom & Pop store, since corporate aesthetics wouldn't put up with something so dated and cheery.

I think in a way flashy Neon signs are like how flower blossom attracts bees, only at one time it was cars.

Hidden Hampstead | Maud and Mabel

Tucked away in a little side street of London’s leafy Hampstead, Maud and Mabel is full of treasure. The shop mostly sells ceramics, however, a sprinkling of textiles and other home-wares can be found there too. Last week the Interiors Almanac met Karen Whitely, the founder of Maud and Mabel. Whitely explained her love affair with pots and the Japanese design philosophy 'Shibumi', which is reflected throughout the store, with its simple, subtle and unobtrusive beauty.

First of all, where does the name Maud & Mabel come from?

“Maud and Mabel just came to me in a flash of inspiration. But I am sure influenced by names of teachers from my boarding school.”

How did you begin trading in ceramics and is your background in design?

“My working life started with Sam Haskins a famous photographer from the seventies and I was the stylist...it was on the Kings Road and a very exciting time. I also worked for Pan Henry (Mick Cassons sister) at the Casson Gallery on Marylebone high street at a time when studio pottery was becoming very popular. We showed Lucie Rie, Hans Coper amongst many other great British talents. It was here that my passion for ceramics developed.”

How many designers do you promote at the Hampstead store?

“We show the work of about 25 ceramic artists. Mainly from GB but also Japan, Finland and Italy.”

I notice you represent many Japanese ceramists’; do you have an affinity for Japanese design?

“I do appreciate Japanese philosophy of design, in particular 'Shibumi' which I believe the aesthetic of my gallery/shop echoes and the principles of the Zen philosophy of design.”

I really like the Wedding list service you offer, as it nice to think that each bespoke piece will mark the start of a journey and can be passed from generation to generation. This notion also reflects the ‘Shibumi’ ethos, whereby objects do not tire, but constantly find a new meaning. Can you explain a little more about this service?

“The Wedding list is quite a unique and personal service. The way it works is the couple come into the shop and carefully make their choices for their unique gift list we then create a private website for their guests with images, information on the makers etc…  enabling guests to make an informed decision. The pieces are then packaged beautifully before being delivered to the happy couple, nearly all the works offered are one off pieces and many are collectors’ items. The couples therefore start their married life with a selection of wonderful ceramic/wood pieces for their home and all the work is cohesive so sits very happily together.”

  

Do you take commissions at the store?

“Yes, I often take commissions, but it needs to be clear that no two pieces will ever be exact. So there will be a slight variation in dimensions and glaze.”

Your little emporium is set in beautiful surroundings, which aspect of Hampstead do you enjoy most?

“For me it is always the Heath, It is gentle on the soul and always offers some exciting new colour/light etc…”

Can you recommend any other places worth visiting whilst in the area?

“Judy Greens garden store is enchanting, also The Livingstone Studio...indescribably beautiful offering hand made garments and textiles.”